Thursday, 8 December 2011

EF 85mm f/1.2L II USM Medium Telephoto Lens

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Retaining the impressive optical performance and large aperture of the original EF 85mm f/1.2L USM this new medium telephoto lens uses a Ring-type USM high-speed CPU and optimized algorithms to achieve an autofocus speed approximately 1.8x faster than the original. The high-speed AF and circular aperture create a shallow depth-of-field that brings attention to the subject and blurs the background which is ideal for portraits and weddings. The floating optical system which includes an aspherical lens element suppresses aberrations and ensures excellent imaging performance. EF 85mm f/1.2L II USM Medium Telephoto Lens LP1219 & Lens Hood ES-79II

  • Retaining the impressive optical performance and large aperture of the original EF 85mm f/1.2L USM

  • High-speed CPU

  • Ensures excellent imaging performance

  • The high-speed AF and circular aperture create a shallow depth-of-field that brings attention to the subject and blurs the background

  • This new medium telephoto lens uses a Ring-type USM




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Tuesday, 29 November 2011

Canon WCDC52A Wide Converter Lens for the S1 IS Digital Camera

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This Wide Converter gives you the equivalent of an ultra-wide angle 26.6mm lens on a standard 35mm camera. Designed for the S1 IS. Note: Requires Lens Adapter / Hood Set LAH-DC10.

  • Compatible with the Powershot-S1IS/S2IS

  • Extend the angle of view

  • Requires conversion lens adapter (LA-DC52E)




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Sunday, 13 November 2011

Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens For Nikon Digital SLR Cameras

Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens For Nikon Digital SLR Cameras

>>> BlackFriday Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens For Nikon Digital SLR Cameras

Technical Details


  • Fast f/2.8 Zoom-Nikkor lens
  • Nikon VR II (Vibration Reduction) image stabilization
  • 7 Extra-low Dispersion (ED) elements;
  • Nikon Super Integrated Coating (SIC); exclusive Nikon Silent Wave Motor (SWM)
  • Focuses to 4.6 feet


I am writing this review from the perspective of someone who also owns the earlier version of the Nikon 70-200mm f/2.8G VR Nikon 70-200mm f/2.8G ED-IF AF-S VR Zoom Nikkor Lens for Nikon Digital SLR Cameras. This new lens will be referred to as "VR2" in this review while the earlier version of this lens will be referred to as the "VR1".



Here are my initial impressions after using this lens and comparing it with the earlier version of this lens the VR1.



This professional-grade telephoto zoom lens is very well-made. Its focus is lightning fast and it produces very sharp photos with very good contrast and dynamic colors even when shot wide-open at f/2.8. The increased sharpness at the corner is easily noticeable even at f/2.8 and now makes this lens suitable for landscape shots. I find this increased sharpness at the corner beneficial even for portrait shots when I shoot off-center rule-of-thirds portrait shots. The improved color and contrast is easily noticeable in certain shots in back-to-back comparison against the VR1.



The VR mechanism is very effective and helpful in keeping the photos sharp even when shooting at low shutter speeds in low-light conditions. The 1-stop improvement over the earlier version the VR1 makes a very big difference specially when shooting this lens from extended to maximum focal length with no monopod or tripod support. Being able to shoot handheld at 1/10th at 200mm is no easy task but it is possible with this new version.



The tripod leg support is nothing less than excellent ... slim yet very sturdy with provision for two-screws mounting support. The tripod support can easily be rotated for shooting in vertical portrait position or downside up for easy hand carry. The tripod leg can easily be detached if needed for a less-obtrusive hold when shooting handheld.



Though this lens is heavier than the VR1 the added weight is not immediately noticeable. The shorter length and larger diameter makes for a more balanced hold when shooting handheld.





How does this lens compare with the earlier version the VR1? Here is a quick and easy to read summary:



First a definition of terms. The term "FX" refers to full frame Nikon camera bodies (D3x D3s D3 and D700). The term "DX" refers to cropped/APS-C Nikon camera bodies (D300s D300 D200 D100 D2 D1 D90 D80 D70 D60 D40 D5000 D3000).





THE ADVANTAGES OF THIS LENS OVER THE VR1



1. Sharp corners on FX and DX even when shooting wide-open at f/2.8

2. Less vignetting on FX and DX when shooting wide-open at f/2.8 (vignetting on DX at f/2.8 now irrelevant)

3. 1-stop improvement in VR (1-stop improvement really makes a big difference when shooting at 135-200mm).

4. Improvement in the bokeh compared to the VR1

5. Improvement in color and contrast specially when shooting backlit subjects against the sun

6. More resistant to lens flaring (due to nano-coating)

7. Shorter more compact length makes it easier to pack carry and use in crowded spaces

(the lens and the hood of the VR2 are both shorter than the lens and hood of the VR1)





THE DISADVANTAGES OF THIS LENS OVER THE VR1



1. More expensive than VR1

2. Slightly heavier than VR1

3. Not as good as the VR1 when used with teleconverters in DX bodies for long reach

4. Shorter reach or magnification than the VR1 when shooting at close range

(e.g. shooting at 200mm focal length is equivalent to 164mm when shooting from 10 feet away)



For FX users who still do not have a 70-200mm f/2.8G zoom lens go ahead and acquire this lens. The corner sharpness of this newer version is remarkable specially when stepped down for landscape shots. Even for portrait shots the increased sharpness at the corner is beneficial when shooting rule of thirds portrait shots.



For FX users who already have the VR1 you will need to gauge whether the advantages will be worth the cost of getting this lens. If you need to shoot at this lens maximum focal length of 200mm the lower magnification or the shorter "effective focal length in terms of field of view" when shooting at near range may be a major concern for you. This is specially a concern for events or wedding photographers. Note however that some photographers have adapted to this and actually found it helpful that the magnification remain near constant which minimizes the need to zoom out as the photographer approaches a subject or when the subject gets closer to the photographer. For some photographers the reduced magnification when shooting at closer range is thus something that one can adapt to and take advantage of. It would still be best however to try the lens first and see how this impacts on your shooting style.



For DX only users who already have a VR1 I currently see no advantages to upgrading to this new version unless you need the one-stop advantage of the VR2 and/or if you want even less vignetting (easily corrected in post-processing) and/or if you want a lens that is more resistant to flare ... and/or more importantly planning to upgrade or to add an FX body.



For DX users who still do not own the VR1 I recommend that you seriously consider getting this lens. Not only do you get the benefits of the newer version as listed above getting this lens means that you will be well-positioned when you upgrade or add an FX body. Once you acquire or add an FX body it will not surprise me that you will be doing a lot more shooting with the FX than with the DX. Since this lens is optimized for the FX then getting this lens over the VR1 may prove to be a good decision. With regard to the issue of a shorter effective reach when shooting at near ranges this should not be an issue with DX due to the 1.5X field of view of the APS-C sensor. If anything it may even be an advantage when shooting up close.



Ultimately both versions of the Nikkor 70-200mm f/2.8G have their strengths and their weaknesses and it is up to the user to decide which version best fits his/her requirements.



As an FX and DX user I have bought this new version knowing full well its strengths and its one limitation. The VR2 improved on what is already an impressive performance of the VR1 and then some. Except on the issue of lower magnification or focus breathing which hardly matters for me the VR2 is an impressive step-up from the VR1.



I did retain my VR1 but this is primarily as a substitute to using a Nikkor 200-400mm f/4 VR. Matched with my 3 kinds of Nikkor teleconverters the The VR1 is my lighter (and less expensive) version of the Nikkor 200-400mm and I use this with my DX D-300. The excellent center resolution of the VR1 is an asset when used in this manner. The other time when I use the VR1 on my D300 is when my VR2 is already on my D700. For all other usages however I use the VR2 whether on FX or DX.





EDIT: For those who need to shoot up-close at 200mm focal length for maximum reach this bit of info will be helpful.



Distance of subject / Effective focal length in field of view of the Nikon VR2 at 200mm

(Nikon 70-200mm VR2 at 200mm compared against a Nikon 200mm prime/fixed focal length lens)



1.27m ............... 128mm

1.40m ............... 132mm

2.00m ............... 147mm

3.00m ............... 164mm

5.00m ............... 176mm

10.0m ............... 186mm



Credits: Marianne Oelund



Edit: Sept. 13 2010: I sold my Nikkor 70-200mm f/2.8 VR and retained only the Nikkor 70-200mm f/2.8 VR2.

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Monday, 18 April 2011

Nikon 16mm F/2.8D AF Fisheye Nikkor Lens

Fisheye lens for Nikon cameras

  • Fisheye 16mm

  • Full-frame fisheye images with a picture angle of 180° (diagonal)

  • Close-Range Correction (CRC) system provides high performance at both near and far focusing distances

  • Nikon Super Integrated Coating for minimized flare and ghost providing good color balance

  • Picture angle: 180° [107° with Nikon digital cameras (Nikon DX format)]



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Sunday, 17 April 2011

Canon EF 500mm f/4L IS USM Super Telephoto Lens for Canon SLR Cameras

The Canon 2532A002 EF 500mm f/4L IS USM Lens is the next-generation super telephoto L-series lens with an Image Stabilizer it's one of the world's best lenses for wildlife and nature photography. The optical system is newly designed with a maximum aperture of f/4. One fluorite element and two UD-glass elements effectively correct aberrations resulting in sharp and excellent delineation. Order the Canon 2532A002 EF 500mm f/4L IS USM Lens today!

  • EF mount; super telephoto lens

  • Fluorite and Ultra-low Dispersion-glass; image stabilizer; internal focusing; full-time manual focus

  • 500mm focal length

  • f/4 maximum aperture

  • Ring-type UltraSonic Motor (USM)



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Saturday, 16 April 2011

Canon TS-E 17mm f/4L UD Aspherical Ultra Wide Tilt-Shift Lens for Canon Digital SLR Cameras

The widest tilt-shift lens in Canon's lineup the new TS-E 17mm f/4L lens expands shooting possibilities exponentially on EOS Digital cameras. Designed with UD glass to minimize and compensate for chromatic aberrations with specially coated aspherical elements for the highest possible glare-free image quality this tilt-shift lens offers an angle of view of 93 degrees. New TS revolving lets users freely combine tilting and shifting within the range of +/- 90 degrees in the direction of movement. The lens also has an improved tilt & shift knob with an enhanced range of movement of up to +/- 6.5 degrees and revolving lenses for better operability it uses a circular aperture for beautiful out-of-focus areas and has an SWC lens coating to control ghosting and flare to a far greater degree than with earlier coating technologies.

  • Tilt and shift lens compatible with all Canon EOS cameras; ultra wide 17mm focal length

  • High-precision lens elements for low distortion and high resolution; +/- 6.5 degrees Tilt and +/-12mm Shift

  • Aspherical and UD lens elements minimize chromatic aberration

  • Circular aperture for creative blurred highlights

  • Floating internal focus mechanism delivers high-image quality throughout focus range



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Sigma 12-24mm f/4.5-5.6 EX DG IF HSM Aspherical Ultra Wide Angle Zoom Lens for Nikon SLR Cameras

Fully compatible with all Nikon Digital SLR cameras including the D40 and D40X the large angle of view of the Sigma 12-24 4.5/5.6 EX DG ASPH Zoom (122 degree super wide angle of view at 12mm along the diagonal axis) is ideal for shooting indoors as well as landscape photography. It has a variable angle of view from 122 degrees to 84.1 degrees. Four Special Low Dispertion (SLD) glass elements are provided for effective compensation of color aberration which is a common problem with super-wide angle lenses. Two pieces of Glass Mold and one-piece Hybrid aspherical lenses offer excellent correction for distortion as well as all types of aberration. By effective arrangement of lens elements and advanced technology this lens has Super Compact dimensions of 100mm full-length and 87mm Maximum Diameter. It is equipped with an Inner Focusing System that will keep the length of the lens unchanged while controlling aberration. The models which are equipped with the HSM (Hyper Sonic Motor) System (only in Nikon Canon and Sigma Camera Mounts) offer Full Time Manual Focusing. It has a minimum focusing distance of 28mm at all focal lengths. This lens is equipped with an integral Petal-Type Hood to block out extraneous light.

  • Ultra wide angle zoom lens offers 122 degree view along the diagonal axis

  • 12-24mm focal length

  • f4.5-5.6 maximum aperture

  • Super Multi Coating reduces flare and ghosting

  • Hyper Sonic Motor



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Tuesday, 5 April 2011

Canon EF 135mm f/2.8 with Softfocus Telephoto Lens for Canon SLR Cameras

A unique compact telephoto lens that gives the choice of razor-sharp images or with the twist of a ring two degrees of soft focus. It works by applying "softness over sharpness" using deliberate spherical aberration on top of a sharp "core" image at apertures from f/2.8 thru 5.6; images taken at apertures smaller than f/5.6 are always sharp. Autofocus continues to function with or without the soft focus in use. This lens is an ideal addition to a portrait or scenic photographer's arsenal. A perfect combination with an EOS Digital SLR with the camera enabling review of soft focus effect on the LCD monitor.

  • EF mount; telephoto lens

  • Internal focusing; aspherical lens

  • 135mm focal length

  • f/2.8 maximum aperture

  • Rear focusing system with Autofocus drive



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Monday, 4 April 2011

Canon EF 180mm f3.5L Macro USM AutoFocus Telephoto Lens for Canon SLR Cameras

A telephoto macro lens with a maximum magnification of 1x. Life-size close-ups can be taken from a farther distance without disturbing the subject (insects etc.). The internal floating system minimizes fluctuations in aberrations caused by changes in the focusing distance. Optical performance is outstanding from 1x to infinity. Start Search Link CANON_OPTICAL_STORE1 canonstoreoptic1 Canon-Digital-Store Canon-Optical-Store End Search Link

  • 180mm macro lens with f/3.5 maximum aperture for Canon SLR cameras

  • 3 UD glass elements and internal floating system combine to minimize aberrations

  • Advanced ultra-sonic monitor (USM) for high-speed quiet autofocusing

  • Focusing distance range of 1.57 feet to infinity; supports EF Extender 1.4x and 2x

  • Measures 3.2 inches in diameter and 7.3 inches long; weighs 2.4 pounds; 1-year warranty



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Tuesday, 22 March 2011

Nikon 105mm f/2.0D AF DC-Nikkor Lens for Nikon Digital SLR Cameras

This prime lens has defocus control which offers new creative possibilities for shallow depth-of-field portrait photography. Photographers can fine-tune the foreground or background image area creating unique blurred effects. Built-in lens hood.

  • Portrait lens with Nikon's exclusive Defocus Control

  • Change the appearance of out of focus elements so that they appear softer or coarser

  • Rear focusing for fast AF operation

  • Fast medium telephoto lens featuring Defocus-image Control

  • Rounded diaphragm opening makes out-of-focus elements appear more natural



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Thursday, 17 March 2011

Lensbaby Pinhole/Zone Plate

Turn your DSLR into a pinhole and zone plate camera with the Lensbaby™ Pinhole/Zone Plate part of the Lensbaby™ Optic Swap System. It allows you to shift easily back and forth from pinhole to zone plate mode by sliding a toggle inside the optic

  • Pinhole is equivalent to f/177 Zone Plate to f/19

  • Ships with clear plastic storage case

  • Compatible with all Lensbaby SLR lenses



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Monday, 14 March 2011

Nikon 80-400mm f/4.5-5.6D ED Autofocus VR Zoom Nikkor Lens

RE)NIKON 80-400MM F4.5-5.6D VR(1996)

  • Compact lightweight 5x telephoto zoom lens

  • Vibration Reduction operation offers the equivalent of using a shutter speed three stops faster

  • VR automatically detected during panning operation

  • Three ED glass elements ensure superior optical performance

  • Nine-blade rounded diaphragm achieves a natural blur for out-of-focus elements



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Saturday, 12 March 2011

Olympus Zuiko 12-60mm f/2.8-4.0 Digital ED SWD Lens for Olympus Digital SLR Cameras

D1) OLYMPUS 12-60MM F/2.8-4.0

  • 12-60 millimeter f2.8-4.0 zoom lens for digital cameras (equivalent to 24-120 millimeter in 35 millimeter photography)

  • Features Supersonic Wave Drive (SWD) technology inside to provide quiet ultra-fast autofocus speed

  • In combination with the Olympus E-3 DLSR delivers the fastest autofocus speed in the world

  • 100-percent digital design ensures high-definition performance

  • Features special optical glass elements to correct various types of aberrations



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Thursday, 10 March 2011

Olympus 25mm f/2.8 Pancake Lens for Olympus Digital SLR Cameras

The world’s smallest DSLR deserves a similarly compact lens and Olympus has it: the ultra compact Zuiko 25mm f2.8 digital specific lens. This 0.9 inch-thick lens offers a fixed 50mm equivalent angle of view. Together with the E-420 the Zuiko 25mm f2.8 lens will offer the ultimate combination of ease of use and portability.

  • 25mm f/2.8 pancake lens

  • 0.9 inches thick

  • 50mm equivalent angle of view

  • Ultra-compact design

  • Compatible with the Olympus E420 digital SLR



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Tuesday, 8 March 2011

Canon EF 100mm f/2 USM Telephoto Lens for Canon SLR Cameras

Canon 100/2.0 EF USM Lens USA

  • EF mount; telephoto lens

  • Internal focusing; full-time manual focus

  • 100mm focal length

  • f/2 maximum aperture

  • Micro UltraSonic Motor (USM)



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Sunday, 6 March 2011

Canon EF 20mm f/2.8 USM Wide Angle Lens for Canon SLR Cameras

20mm wide angle lens for Canon cameras

  • EF mount; wide-angle lens

  • Floating system; inner focusing; full-time manual focus

  • 20mm focal length

  • f/2.8 maximum aperture

  • Ring-type UltraSonic Motor (USM)



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Wednesday, 2 March 2011

Nikon 24mm f/2.8D AF Nikkor Lens for Nikon Digital SLR Cameras

24mm D-Series Wideangle lens for Nikon cameras

  • Compact wide-angle lens construction

  • Superb optical design for architecture wedding and landscape photography

  • 84-degree (61-degree with Nikon DX format) picture coverage with edge-to-edge sharpness

  • Close Range Correction system provides high performance at both near and far focusing distances

  • Nikon Super Integrated Coating for minimized flare and ghost providing good color balance



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Tuesday, 1 March 2011

Nikon 12-24mm f/4G ED IF Autofocus DX Nikkor Zoom Lens

L1)NIKON 12-24MM F4 G IF-ED (2144)

  • 12-24mm autofocus zoom lens with f/4 maximum aperture for Nikon digital SLR cameras

  • 2 Extra-Low Dispersion (ED) glass elements and 3 aspherical lens elements for superior optics

  • D-type design provides precise distant information for flash and ambient light exposure

  • Rounded diaphragm makes out-of-focus elements appear natural; 11.8-inch close focus distance

  • Measures 3.2 inches in diameter and 3.5 inches long; weighs 1.07 pounds; 5-year warranty



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Monday, 28 February 2011

Nikon 28mm f/2.8D AF Nikkor Lens for Nikon Digital SLR Cameras

28mm D-Series Wideangle lens for Nikon cameras

  • Compact lightweight wide-angle lens for general photography

  • 74-degree (53-degree with Nikon DX format) picture angle for candids portraits and travel photographs

  • Nikon Super Integrated Coating for minimized flare and ghost providing good color balance

  • Exceptionally light at only 7.4 ounces

  • 0.85-foot close focusing distance



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Sunday, 27 February 2011

Olympus Zuiko 50-200mm f/2.8-3.5 Digital ED SWD Lens for Olympus Digital SLR Cameras

This is a high-performance super-telescopic zoom lens that features for the first time the Supersonic Wave Drive (SWD) autofocus system which enables the lens to achieve an AF speed about two times faster than the previous ED 50-200mm f2.8-3.5 model. ED lens elements are used extensively to correct the color blurring that can occur when telescopic lenses are extended to their maximum focal length while the digital-dedicated design ensures high-quality performance with clear crisp images from edge to edge. Close-up shooting capability is also superb with a minimum shooting distance of just 1.2 meters throughout the zoom range.

Main Features

  • Manufacturer: Olympus Corporation
  • Manufacturer Part Number: 261015
  • Manufacturer Website Address: www.olympusamerica.com
  • Product Type: Telephoto Zoom Lens
  • Minimum Focal Length: 50mm
  • Maximum Focal Length: 200mm
  • Magnification: 0.21x
  • Aperture Range: f/2.8 to 3.5
  • Weight: 2.2 lb



    • 50-200 millimeter f2.8-3.5 zoom lens for digital cameras (equivalent to 100-400 millimeter in 35 millimeter photography)

    • Features Supersonic Wave Drive (SWD) technology inside to provide quiet ultra-fast autofocus speed

    • Maximizes the E-3's high-speed autofocus capability

    • Digital-dedicated design ensures high-definition performance with clear crisp images from edge to edge

    • Minimum shooting distance of just 1.2 meters throughout the zoom range



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  • Tuesday, 22 February 2011

    Nikon 24mm f/1.4G ED AF-S RF SWM Prime Wide-Angle Nikkor Lens for Nikon Digital SLR Cameras


    Professional photographers have looked forward to the day when the naturally versatile perspective of a 24mm wide-angle lens and an ultrafast f/1.4 maximum aperture were brought together with NIKKOR expertise. That day has arrived and Nikon is thrilled to announce an all-new prime wide-angle lens to meet this demand.

    Highly advanced optical engineering combined with Nikon technologies such as ED glass Nano Crystal Coat and Rear Focusing combine to render exceptional 24mm image quality. The 24's f/1.4 maximum aperture delivers remarkably bright viewing enables extraordinary low light shooting opportunities and delivers beautifully soft backgrounds.

    FEATURES:
    • Prime Wide-angle Perspective Ultra-fast f/1.4 Aperture - Natural wide angle of view with extreme light gathering capability delivers extraordinary performance meeting a broad range of challenging assignments
    • Nano Crystal Coat - Further reduces ghosting and internal flare across a wide range of wavelengths for even greater image clarity.
    • 2 Extra-low Dispersion (ED) elements - Offers superior sharpness and color correction by effectively minimizing chromatic aberration even at the widest aperture settings.
    • 2 Aspherical Lens Elements - Aspherical lens elements virtually eliminate coma and other types of aberrationeven when shooting at the widest available aperture.
    • Rear Focus (RF) - Provides smooth and fast autofocus while eliminating front barrel rotation and lens length changes.
    • Exclusive Nikon Silent Wave Motor (SWM) - Enables fast accurate and quiet autofocus.
    • M/A Focus Mode Switch - Enables quick changes between manual and autofocus operation.
    • Rounded 9-Blade Diaphragm - Renders more natural appearance of out-o


    • Ultra-fast f/1.4 Aperture

    • Nano Crystal Coat

    • Rear Focus (RF)

    • Exclusive Nikon Silent Wave Motor



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    Monday, 21 February 2011

    Nikon 17-55mm f/2.8G ED-IF AF-S DX Nikkor Zoom Lens

    L1)NIKON 17-55MM F2.8G IF-ED (2147)

    • Constant f2.8 3.2x zoom lens developed exclusively for use with Nikon DX Format optimized for Nikon digital SLRs

    • Dust and waterproof rubber sealing mount

    • High optical performance by aspherical lenses and ED glass elements

    • Silent Wave Motor enables ultra-high-speed autofocusing with exceptional accuracy and powerful super-quiet operation

    • M/A mode for quick switching between autofocus and manual operation



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    Sunday, 20 February 2011

    Canon EF 135mm f/2L USM Lens for Canon SLR Cameras

    The fastest 135mm telephoto lens in its class. Ideal for indoor sports and portraits with background blur. Two UD-glass elements correct secondary spectrum for outstanding sharpness and color. Compatible with Extender EF 1.4x II and 2x II.

    • EF mount; telephoto lens

    • Ultra-low Dispersion glass with Fluorite elements; inner focusing ring

    • 135mm focal length f/2 maximum aperture Ring USM motor

    • Comes with Leather bag & lens hood



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    Saturday, 19 February 2011

    Sigma 18-250mm f/3.5-6.3 DC OS HSM IF Lens for Canon Digital SLR Cameras

    The SIGMA 18-250mm F3.5-6.3 DC OS HSM incorporates Sigma's original anti-shake compensation function with a 13.8 times zoom ratio. For the camera have anti-shake function in the camera body this lens's Hybrid Optical Stabilizer provide not only anti-shake function for the camera body compensation but also provide the function to compensate the image shaking in the view finder of the camera like anti-shake compensation built in the lens. Incorporating four Special Low Dispersion glass elements and three Aspherical lens elements provides excellent image quality throughout the entire zoom range. This lens has a minimum focusing distance of 45cm (17.7 inches) at all focal lengths and a maximum magnification of 1: 3.4 reproduction ratio making it ideal for close-up photography. An inner focusing system eliminates front lens rotation making it suitable for use with circular polarizing filters and the supplied petal-type hood. Incorporating super multi layer coating reduce the ghost in the backlight photography.

    • Equipped with Sigma's own unique OS (Optical Stabilizer) technology

    • Four SLD elements and three Aspherical lenses provide high image quality throughout the entire zoom range

    • Minimum focusing distance of 45cm/17.7 inches and a maximum magnification of 1:3.4 makes it ideal for close-up photography

    • Super multi-layer coating reduces flare and ghosting

    • For Canon digital SLR cameras



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    Thursday, 17 February 2011

    Olympus 40-150mm f/4.0-5.6 ED Zuiko Digital Lens for Olympus Digital SLR Cameras

    Olympus 40-150mm F/4.0-5.6 Lens

    • 3.8x telephoto zoom

    • ED lens for excellent quality

    • Compact and lightweight

    • Close focusing distance of ~ 3.0 ft (90cm)

    • Filter Size - Diameter 58 mm



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    Tuesday, 15 February 2011

    Nikon TC-17E II (1.7x) Teleconverter AF-S for Nikon Digital SLR Cameras


    The TC-17E II teleconverter works with the AF-S and AF-I lenses. It extends the focal length by 1.7x while still maintaining high focus. In addition it does not have a large affect on lens speed and is compatible with the updated VR function (as seen on professional lenses).

    • Adds Photographic Versatility - 1.7X Focul Length - Compact - Lightweight!



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    Monday, 14 February 2011

    Canon EF 35mm f/1.4L USM Wide Angle Lens for Canon SLR Cameras 

    Canon Wide Angle EF 35mm f/1.4L USM Autofocus Lens This 35mm wideangle lens features a brilliant maximum aperture of f/1.4 the largest in its class along with the superior natural image quality of Canon L-series lenses. With ring USM-powered rear focus autofocus is stealthy and swift. A wide focusing ring provides comfortable manual focus and the filter ring remains stationary for ease of use with polarizers and other special effects filters.

    • EF mount; wide-angle lens

    • Inner focusing; floating system; aspherical lens; full-time manual focus

    • 35mm focal length

    • f/1.4 maximum aperture

    • Ring-type UltraSonic Motor (USM)



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    Friday, 11 February 2011

    Canon EF 28mm f/1.8 USM Wide Angle Lens for Canon SLR Cameras

    EF 28MM F/1.8 USM Canon

    • 28mm wide-angle lens with f/1.8 maximum aperture for Canon SLR cameras

    • Broadens angle of view and increases depth of field to bring more area into focus

    • High-precision aspherical lens minimizes distortion and other aberrations

    • 1-foot close focusing distance; light enough to function as standard wide angle lens

    • Measures 2.7 inches in diameter and 1.7 inches long; weighs 6.5 ounces



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    Monday, 7 February 2011

    Olympus Zuiko 70-300mm f/4.0-5.6 ED Lens for Olympus and Panasonic Standard Four Thirds Digital SLR Cameras

    D1) Oylmpus 70-300MM F4-5.6 ZUIKO

    • 140mm-600mm equivalent Zoom lens for all Four Thirds cameras.

    • Includes ED 70-300mm F4.0/5.6 Lens Front and Rear Lens Cap

    • Lens Hood instructions and registration card.

    • 3 ED lens elements

    • 1x magnification for macro



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    Sunday, 6 February 2011

    Canon EF-S 15-85mm f/3.5-5.6 IS USM UD Wide Angle Zoom Lens for Canon Digital SLR Cameras

    The versatile focal length extreme wide angle and stunning image quality of Canon's new EF-S 15-85mm f/3.5-5.6 IS USM lens makes this the ideal multipurpose wide-angle zoom lens for the photographer shooting a wedding or exotic vacation. Featuring three aspherical elements and one UD glass element for outstanding image quality the zoom range of this lens is equivalent to 24-136mm on a full-frame camera. When coupled with Canon's new EOS 7D DSLR this lens provides moviemakers and videographers with a phenomenal focal range for wide-angle scenic footage and zoomed in telephoto shots. The warranty period is 1 year.

    • 15-85mm lens with f3.5-f.5.6 aperture; for use with APS-C cameras

    • 35mm equivalent to 24-136mm focal length range

    • Dedicated image stabilization

    • Lens construction of 17 elements in 12 groups

    • Compatible with 72mm filters



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    Saturday, 5 February 2011

    Canon EF 100-400mm f4.5-5.6L IS USM Telephoto Zoom Lens for Canon SLR Cameras

    Canon EF 100-400mm f4.5-5.6L IS USM Telephoto Zoom Lens for Canon SLR Cameras

    • 100-400mm telephoto zoom lens with f/4.5 maximum aperture for Canon SLR cameras

    • 2 Image Stabilizer modes make it easy to capture far-off action or close-in portraits

    • Flourite and Super UD-glass elements largely eliminate secondary spectrum

    • Compatibility with extenders 1.4x II and 2x II; 5.9-foot close focusing distance

    • Measures 3.6 inches in diameter and 7.4 inches long; 1-year warranty



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    Friday, 4 February 2011

    Canon EF 16-35mm f/2.8L II USM Ultra Wide Angle Zoom Lens

    Inner focusing system with USM Closest Focusing Distance 0.28m / 0.9 ft. Zoom System Rotating type Filter Size 82mm Max. Diameter x Length Weight 3.3" x 4.1" 1.3 lb. / 83.5 x 103mm 600g

    • 16-35mm ultra-wide-angle zoom lens with f/2.8 maximum aperture

    • 3 high-precision aspherical lens elements produce superior image quality

    • Circular aperture produces natural background blur at wider apertures

    • Ring-type USM for fast and quiet autofocusing; internal focusing

    • Measures 3.5 inches in diameter and 4.4 inches long; 1-year warranty



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    Thursday, 3 February 2011

    Canon EF 24-105mm f/4 L IS USM Lens for Canon EOS SLR Cameras

    The L-series is Canon's flagship professional lens range designed to include outstanding image performance ultimate operability and weather resistance. The EF 24-105mm f/4L IS USM offers a lightweight alternative to the renowned EF 24-70mm f/2.8L USM. offers the highest possible optical quality with no change in aperture over the full focal range of the lens. This allows photographers to set exposure at the widest aperture and zoom all the way through to 105mm without having to vary the shutter speed. Image Stabilizer (IS) dramatically reduces image blur caused by camera shake. Gyro sensors detect unwanted vibrations triggering the corresponding movement of a correcting lens group perpendicular to the optical axis. This alters the light path returning the image to its correct position on the sensor or film plane. The 3 stop advantage means that photographers normally shooting a 105mm lens handheld at 1/125 sec can obtain a shake free result with a shutter speed as low as 1/15 sec for vastly extended options in low light conditions. The ring-type USM motor found in the EF 24-105mm f/4L IS USM employs ultra-sonic frequency vibrations to drive auto focus with unrivalled speed and near-silent operation. A powerful CPU and improved AF algorithm contribute to speed performance. Good holding torque stops the lens with precision and accuracy the instant it arrives at the correct focus point and without overshoot. Photographers can choose manual focus instantly and at any time simply by moving the manual focus ring without first having to switch out of auto focus mode. Circular aperture producing attractive background defocus Inner focusing ring USM and new AF algorithms for fast and quiet autofocusing Manual focusing enabled even during AF mode (full-time mechanical manual focus) Only environmentally friendly lead-free glass used in lens construction Filter diameter 77 mm / Dimensions (dia x len)

    • 24-105mm standard zoom lens with f/4 maximum aperture for Canon EOS SLR cameras

    • 1 Super UD glass element and 3 aspherical lenses minimize chromatic aberration and distortion

    • Ring-type USM system delivers silent but quick autofocus (AF); full-time manual focus

    • Image Stabilizer technology steadies camera shake at up to 3 stops; weighs 23.6 ounces

    • Dust- and moisture-resistant; measures 3.3 inches in diameter and 4.2 inches long; 1-year warranty



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    Tuesday, 1 February 2011

    Canon EF 17-40mm f/4L USM Ultra Wide Angle Zoom Lens for Canon SLR Cameras






    • 17-40mm ultra-wide-angle zoom lens with f/4 maximum aperture for Canon SLR cameras

    • 3 aspherical lens elements and super UD glass element create superior optics in all conditions

    • Powerful ring-type ultra-sonic monitor (USM) produces fast and silent autofocusing

    • Focuses as close as 11 inches; supports screw-in 77mm filters or up to 3 gel filters

    • Weather-resistant construction; measures 3.3 inches in diameter; 1-year warranty



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    Friday, 28 January 2011

    Canon EF 100mm f/2.8L IS USM 1-to-1 Macro Lens for Canon Digital SLR Cameras

    Canon's newest "L" series lens is its first mid-telephoto macro lens to include Canon's sophisticated Image Stabilization. With the highest quality optics available combined with near-silent Ultrasonic focusing and life-size close-up capabilities without an adapter the EF 100mm f/2.8L Macro IS USM is simply unrivalled.

    • 100mm lens with f2.8 aperture

    • Canon's first mid-telephoto macro "L" series lens to include Canon's sophisticated Image Stabilization

    • Near-silent Ultrasonic focusing

    • Enjoy life-size close-up capabilities without an adapter

    • Compatible with 67mm filters



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    Tuesday, 25 January 2011

    Canon EF 100mm f/2.8 Macro USM Lens for Canon SLR Cameras

    L1) CANON 100MM F/2.8 MACRO USM EF

    • 100mm macro USM lens with f/2.8 maximum aperture for Canon SLR cameras

    • Secondary diaphragm blocks stray light at f/2.8 for increased contrast

    • Ultra-sonic monitor provides outstanding autofocusing speed at all distances

    • 3-group floating system for exceptional close-up performance; full-time manual focus

    • Measures 3.1 inches in diameter and 4.7 inches long; weighs 21.1 ounces; 1-year warranty



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    Monday, 24 January 2011

    Canon EF-S 17-55mm f/2.8 IS USM Lens for Canon DSLR Cameras

    To meet user demands for a fast EF-S zoom lens Canon has specially designed a new lens with a large aperture of f/2.8 for select Canon Digital SLR cameras.* The large circular aperture produces a shallow depth-of-field creating background blur that draws attention to the photographic subject. The lens construction includes UD and aspherical elements which deliver impressive image quality throughout the entire zoom range. Image Stabilizer lens groups shift to compensate for camera movement so that the image appears steady on the image plane ensuring clear crisp images even in dim light. With a Ring-type USM inner focusing and new AF algorithms this lens achieves autofocus quickly and quietly and with full-time mechanical manual focusing manually adjusting the focus is possible even in AF mode.

    • 17-55mm wide-angle zoom lens with f/2.8 maximum aperture for Canon DSLR cameras

    • AD and aspherical elements deliver impressive image quality through entire zoom range

    • Image Stabilizer lens groups shift to compensate for image shake even in dim lighting

    • Large circular aperture produces shallow depth of field; ring-type ultra-sonic monitor (USM)

    • Measures 3.3 inches in diameter and 4.4 inches long; weighs 22.8 ounces; 1-year warranty



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    Sunday, 23 January 2011

    Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens For Nikon Digital SLR Cameras


    The AF-S Nikkor 70-200mm f/2.8G ED VR II Lens offers excellent performance throughout its range of focal lengths from the natural rendering characteristics of mid-range telephoto positions to the compressed perspective of telephoto positions. The lens makes the most of a wide variety of scenes from portraits to staged events as well as sports photography under nighttime lighting press photography and scenes that require soft rendering of out-of-focus portions.

    FEATURES:
    • Fast f/2.8 Zoom-NIKKOR lens - Perfect for sports photojournalism and wildlife photography.
    • Nikon VR II (Vibration Reduction) image stabilization - Vibration Reduction engineered specifically for each VR NIKKOR lens enables handheld shooting at up to 4 shutter speeds slower than would otherwise be possible assuring dramatically sharper images.
    • 7 Extra-low Dispersion (ED) elements - Offers superior sharpness and color correction by effectively minimizing chromatic aberration even at the widest aperture settings.
    • Nano Crystal Coat - Further reduces ghosting and flare for even greater image clarity.
    • Nikon Super Integrated Coating (SIC) - Enhances light transmission and offers superior color consistency and reduced flare.
    • Exclusive Nikon Silent Wave Motor (SWM) - Enables fast accurate and quiet autofocus.
    • Rounded 9-blade diaphragm - Renders more natural appearance of out-of-focus image elements.
    • Internal Focus (IF) - Provides fast and quiet autofocus without changing the length of the lens retaining subject-working distance through the focus range.
    • Focuses to 4.6 feet - Close focusing provided throughout the entire zoom range for extended versatility.
    • M/A focus m


    • Fast f/2.8 Zoom-Nikkor lens

    • Nikon VR II (Vibration Reduction) image stabilization

    • 7 Extra-low Dispersion (ED) elements;

    • Nikon Super Integrated Coating (SIC); exclusive Nikon Silent Wave Motor (SWM)

    • Focuses to 4.6 feet



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    Friday, 21 January 2011

    Canon EF-S 60mm f/2.8 Macro USM Digital SLR Lens for EOS Digital SLR Cameras

    A thoroughly modern design that's optimized for select Canon EOS digital SLRs. Its angle of view is equivalent to a 96mm lens on a 35mm camera with a floating optical system that can focus down to full life-size (1:1) magnification. Inner focusing driven by a silent and powerful ring-type USM means the lens' overall length never changes during focus. This lens is a wonderful multi-purpose lens that's equally at home shooting macro shots portraits or available-light photos. Like all Canon EF-S Lenses its use is restricted to the EOS 20D EOS Digital Rebel and EOS Digital Rebel XT cameras (as of February 2005).

    Sample Images

    MTF Chart

     




    • 60mm macro lens with f/2.8 maximum aperture for EOS digital SLR cameras

    • 25-degree angle of view is equivalent to 96mm lens on 35mm camera

    • Floating optical system can focus down to life-size 1:1 magnification

    • Silent and powerful ring-type ultra-sonic monitor (USM) for autofocusing

    • Measures 2.9 inches in diameter and 2.8 inches long; 1-year warranty



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    Tuesday, 18 January 2011

    Canon EF 70-200mm f/4L USM Telephoto Zoom Lens for Canon SLR Cameras

    Canon EF 70-200mm f/4L USM Telephoto Zoom Lens for Canon SLR Cameras

    • 70-200mm telephoto zoom lens with f/4 maximum aperture for Canon SLR cameras

    • Inner focusing system and ring-type ultra-sonic monitor for quick and quiet autofocusing

    • Compatible with same tripod collar (sold separately) as EF 300mm f/4L USM lens

    • 3.9-foot close-focusing distance; supports use of circular polarizing filter

    • Measures 3 inches in diameter and 6.8 inches long; weighs 25 ounces; 1-year warranty



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    Monday, 3 January 2011

    Canon EF-S 10-22mm f/3.5-4.5 USM SLR Lens for EOS Digital SLRs

    With its effective focal length range of approximately 16-35mm in 35mm format the EF-S 10-22mm f/3. 5-4. 5 USM is a remarkable lens with outstanding image quality that will take your photography into new dimensions and areas of dramatic expression. The super-wide zoom not only gives you the freedom to get exactly what you want in the shot it dramatically alters perspective to allow for dynamic expression. The lens allows you to get extremely close to subjects exaggerating the difference in size between a near object and its background. Creative photographers can use this phenomenon to create excellent separation between subject and background for a strong sense of presence or for a pan-focus effect with everything from foreground to background sharply in focus. Exceptionally light and compact for its focal length range the EF-S 10-22mm f/3. 5-4. 5 USM also has an incredibly close minimum focusing distance of just 24cm. A ring-type USM works in concert with the camera to provide super-fast precision auto focusing and predictive tracking - with full manual override available at any time. Designed specifically for digital photography the lens has specially shaped lens elements and Super Spectra coatings to suppress ghosting and flare which can be caused by reflections off digital camera sensors. An exclusive optional lens hood can further reduce the incidence of flare. A circular aperture provides a pleasing background blur when shooting with a wide aperture; ideal for creating a sense of depth and getting your subject or model to stand out from the background.

    • 10-22mm wide-angle zoom lens with f/3.5-4.5 maximum aperture for EOS digital SLR cameras

    • Superior AF performance and speed with full-time manual focus with the turn of a ring

    • Close focusing to 9.5 inches; fills the frame with subjects as small as 3.6 x 5.4 inches

    • Circular aperture design produces natural highlights

    • 1-year warranty



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